photo: Igor Boháč
The exhibition features works in three cycles from 2000 to 2004: Wooden Village, Impressions (landscape compositions), and Body (studio work). "This is a result of my fascination with playing with light and capturing the authentic moment that is never repeated," Boháč says.
Boháč, born 1965, works with black-and-white and coloured photographic techniques. His takes photographs for magazines and his works are on display in several private collections.
Prepared by Spectator staff
14. Feb 2005 at 0:00