He studied in Bratislava, then known as Pressburg to the Germans, Pozsony to the Hungarians and Prešporok to the Slovaks with all three languages echoing in the streets. He forged lasting friendships here, including the then-conductor of the Religious-Musical Society at the St Martin’s Cathedral and composer, Alexander Albrecht.
People have an innate understanding of what composers want to tell us and “what I want to say about my friend Béla is: apart from admiring him, and loving him, when he comes to you with his music, open your soul to him!” Albrecht wrote about Bartók in his memoirs.
After last year’s successful presentation of the string quartets of Dmitry Shostakovich, this year Bartok’s music has been chosen to form the core of the
February part of the Konvergencie / Convergences festival of chamber music.
On February 12th, the Slovak musicians organizing and forming the festival - Igor Karško, Peter Biely – violin; Martin Ruman – viola; Jozef Lupták – cello; Nora Skuta – piano; the Convergence Chamber Players with Igor Karško as artistic leader – will play Bartók’s Quintet Sz 23 and his Divertimento Sz 113.
On February 16, another grouping of local musicians - Milan Paľa, Marián Svetlík – violin; Martin Ruman – viola; Jozef Lupták, Andrej Gál – cello; Helga Varga Bach – soprano; and Ivan Šiller – piano – will perform Bartók’s Circle (a selection of 44 duets for two violins), Violin Sonata No. 1 Sz 75, Slovak Folk-songs For Male Choir Sz 69, Village Scenes Sz 78 and Four Slovak Folk-songs For Mixed Choir And Piano Sz 70.
The cycle will be rounded off by the world-renowned Jerusalem Quartet who will give a unique performance of the complete set of Bartók’s six quartets, on the weekend of February 17-18.
13. Feb 2017 at 14:13 | Compiled by Zuzana Vilikovská