When it started back in 1991, Melos-Étos had a crucial role: it was meant to bring musical trends to the country that could not be presented here during the communist regime. Some 25 years later, it has developed to show the most intriguing and interesting music people would not normally hear.
Alongside premieres and rare works, the festival commemorates Slovak composer Ilja Zeljenka with a Sunday matinee concert presenting pianist Magdaléna Bajuszová playing his 24 Preludes for Piano (2005), as well as a series of documentary films and feature films about the life of the renowned Slovak musician, hailing his 85th birthday (December 21, he died in 2007). The compositions to be performed come from the time towards the end of his life, some being finished shortly before his death.
“Zeljenka was one of the first avant-garde artists who defined himself as early as the 1960s against period trends,” Igor Valentovič, head of Music Centre Slovakia which organises the festival, told the Sme daily. “It was a generally dynamic period when many new methods appeared.”
Other concerts offer musical bodies and personalities like the Symphonic Orchestra of the Slovak Radio with Mario Košik as conductor and Milan Paľa on violin; Polish Orkiestra Muzyki Nowej with Diana Buffa and Ivan Buffa on piano; Ensemble Spectrum conducted by Matej Sloboda; Japanese virtuoso Toshiya Suzuki; Synaesthesis Ensemble led by conductor Karolis Variakojis; Mucha Quartet with Martin Adámek on clarinet; Österreichisches Ensemble für Neue Musik and Slovak Miki Skuta – on piano and electric guitar, as well as a host of accompanying events.
10. Nov 2017 at 13:07 | Compiled by Zuzana Vilikovská