Spectator on facebook

Spectator on facebook

Piešťany censored famous Czech artist

The criticism for moving paintings by Jiří Načeradský came from both Slovak and foreign art experts and collectors.

Jiří Načeradský in Žilina, 2013(Source: TASR)

The exhibition of Czech artist Jiří Načeradský ended prematurely. The paintings outraged the new director of the gallery who had moved some of them, depicting naked bodies, outside the main room, the Pravda daily reported.

As a result, the exhibition, which started on December 19, 2017 and was to last until January 28, 2018, ended prematurely.

The paintings were part of the collection of Ivan Melicherčík, Slovak art collector. Piešťany Mayor Miloš Tamajka and head of the Fountain Gallery Marta Jurčová decided to move them to the side corridor that also serves as the entrance to the cinema, without informing their owner. They complained about the depiction of the naked human bodies.

Paintings described as a “kind of porn”

“They hurt the whole idea of the exhibition,” Melicherčík told Pravda. “Without my permission they moved the key pieces of the collection to an absolutely inappropriate and demeaning space.”

When he learned about the moved paintings, he asked to end the exhibition since he considers such an approach “barbaric towards art, the exhibition and the removed artist”.

Read also:Artist departs, works remain

“I have never experienced anything like this,” Melicherčík added for Pravda.

Jurčová explained that such paintings do not belong in a wedding hall, where they were originally exhibited, since also children can see them.

“The motif of Jiří Načeradský’s paintings is a kind of porn,” she told Pravda. “Though the pieces are great, it is good to have them in the gallery.”

She explained that the exhibition was prepared by former head of the gallery Martin Valo, who is also deputy mayor. After she informed Tamajka about the exhibition’s content, they decided to move the paintings, she explained.

The step outraged other countries

Art experts do not understand the move, though.

“The information about censoring Načeradský’s exhibition has shocked me,” said Peter Mach, a gallery owner who administers the artist’s works, as quoted by Pravda, adding that many other places in Slovakia have welcomed the exhibitions of this artist.

They have been exhibited in famous museums in New York, Washington, Paris, London, Vienna, Berlin and Bratislava, he added.

“Načeradský experienced censorship during communism,” Mach continued for Pravda. “I don’t want to believe that such an outrageous approach to free art is now coming back in Slovakia, the country in which he had many friends and where he liked to return.”

Critical responses to moving the paintings also came from the Czech Republic and collectors from Washington, Pravda reported.

Who is Načeradský?

Načeradský (1939-2014) was a major representative of figural painting in the second half of the 20th century.

After the 1989 overthrow of the communist regime, he worked as a lecturer at the Academy of Fine Arts in Prague, where he studied in the 1960s. In 1991, he was appointed a professor, the ČTK newswire reported.

In the 1970s and 1980s, Načeradský could not officially create and had to make his living with the restoration of historical buildings.

In 1978, the Paris Centre Georges Pompidou bought seven of his drawings for its collections.

The processing of personal data is subject to our Privacy Policy and the Cookie Policy. Before submitting your e-mail address, please make sure to acquaint yourself with these documents.

Top stories

We will not allow Ján and Martina to be forgotten

Statement from Slovak journalists half a year after the murder of Ján Kuciak and Martina Kušnírová

Illustrative stock photo

Yuri Dojc: I did not want to live under occupation

Slovakia is not even close to what I remember from my life here, says the Canadian-Slovak photographer.

Yuri Dojc today: "A reflection of an older man in the mirror with glimpse of an attractive woman , who is my wife"

Our emigrants’ stories: lessons in humanity

Slovaks who fled the 1968 occupation tell us what it means to be a refugee.

Pictures from The Gift pantomime show. Milan Sladek wrote it in the Swedish Goteborg in 1969 as a metaphor of Czechoslovakia's cohabitation with the Soviet Union.

We were on the run, but we were welcomed Photo

Slovak-Swiss writer Irena Brežná was forced to emigrate but found a way to fill her life with meaning in a foreign land.

Irena Brežná arrives to Switzerland.