Spectator on facebook

Spectator on facebook

Name of the gallery HotDock is a paraphrase on fast-food

Gallery where artists can test their concepts

Sculptor Juraj Rattaj in HotDock gallery in Petržalka(Source: Sme)

They started in an apartment block on Grösslingova Street in Bratislava’s city centre. From there, they moved to a former warehouse in the old cargo harbour on the Danube River. And when they were expelled from this space, they moved into a former shop on one of the terraces of the cement blocks of flats in Bratislava’s borough of Petržalka.

“Art does not need to be only in the city centre,” said sculptor Juraj Rattaj, who has been the main driving force of the HotDock Gallery for already eight years now. “Moreover, the city centre is something that exhausts art since it yearns after high standards or proven brands. And we are an open platform where artists can test their concepts because we do not enjoy exhibiting just well-proven art.”

That this is the right path has been proven by the fact that the gallery has presented several artists who later won prominent artist awards like Painting of the Year, Best Book in the Czech Republic, the Oskar Čepán Award or were nominated for its Czech counterpart, the Jindřich Chalupecký Award. These artists include, just to mention a few, Julia Gryboś, Barbora Zentková, Lucia Tallová, Radovan Čerevka and Aleš Čermák.

At the new place in Petržalka they want to go further a show that the gallery is not an elitist place. Therefore, they plan to organise discussions, lectures by curators and liaise with local art galleries and secondary schools.

“Sometimes I miss the romance of the harbour, but it is impossible to have everything all the time,” said Rattaj. “Now we are in Petržalka and we take it as a challenge.”

How the gallery started

Rattaj founded the HotDock Gallery as a student of the Academy of Fine Arts and Design along with his classmates, Pavol Prekop and Matej Bezúch, in 2010.

“We missed a space in Bratislava for the presentation of young art,” explained Rattaj. At that time the Photoport gallery focusing on photography had left a space adapted for exhibitions in a residential building on Grösslingova Street. They thought that taking up this place, where people were already used to going for exhibitions, would be a good idea.

They focused on presenting students and young artists who are still establishing themselves on the art scene and needed to test their concepts. That gave the gallery its name - HotDock.

“It’s a paraphrase on fast-food,” said Rattaj. “The exhibitions did not last long, only about two weeks. We were a kind of a startup gallery supporting young art.”

The rest of this article is premium content at Spectator.sk
Subscribe now for full access

I already have subscription - Sign in

Subscription provides you with:
  • Immediate access to all locked articles (premium content) on Spectator.sk
  • Special weekly news summary + an audio recording with a weekly news summary to listen to at your convenience (received on a weekly basis directly to your e-mail)
  • PDF version of the latest issue of our newspaper, The Slovak Spectator, emailed directly to you
  • Access to all premium content on Sme.sk and Korzar.sk

The processing of personal data is subject to our Privacy Policy and the Cookie Policy. Before submitting your e-mail address, please make sure to acquaint yourself with these documents.

Topic: Bratislava


Top stories

Slovak singer Peter Lipa remembers 1968 occupation through music Video

How was one of the few songs about the 1968 occupation created?

Peter Lipa

Yuri Dojc: I did not want to live under occupation

Slovakia is not even close to what I remember from my life here, says the Canadian-Slovak photographer.

Yuri Dojc today: "A reflection of an older man in the mirror with glimpse of an attractive woman , who is my wife"

We will not allow Ján and Martina to be forgotten

Statement from Slovak journalists half a year after the murder of Ján Kuciak and Martina Kušnírová

Illustrative stock photo

Our emigrants’ stories: lessons in humanity

Slovaks who fled the 1968 occupation tell us what it means to be a refugee.

Pictures from The Gift pantomime show. Milan Sladek wrote it in the Swedish Goteborg in 1969 as a metaphor of Czechoslovakia's cohabitation with the Soviet Union.