The greatest Slovak tenor: PAVOL BRESLIK

In November, there will be another opportunity to enjoy his singing skills.

© PANER – Pavol Breslik in the concert Strauss’ Songs in the Slovak Philharmonic, September 2018© PANER – Pavol Breslik in the concert Strauss’ Songs in the Slovak Philharmonic, September 2018

In June, the tenor Pavol Breslik (Bršlík) performed the Prince in Dvořák’s Rusalka, his first time in the role not only on the stage of the Opera on the Slovak National Theater but in the world. He captivated the audience not only with his singing, but also with his acting skills.

We have enjoyed witnessing Breslik’s growth, which is why we have mapped his development at our concerts in the cycle Great Slovak Voices. We organized several concerts with him, each different. From a light recital with popular songs and opera program in 2012, which music critics included among the top events of the season, we turned to Schubert’s (The Beautiful Mill – 2014) and Strauss’ songs (Strauss’ songs – 2018).

In November, there will be another opportunity to enjoy his singing skills.

Getting Pavel to a concert is not easy, because he tours all over the world, even though the pandemic slowed him down. The Slovak audience benefited from it and could experience him more than once in the opera La traviata (Verdi) and in his world premiere as the Prince in Rusalka.

Pavol Breslik is a native of Kysucké Nové Mesto. He studied at the Academy of Arts in Banská Bystrica. In 2000, he won the Antonín Dvořák singing competition in Karlovy Vary. He expanded his education at the Opéra Studio CNIPAL in Marseille and with master classes with Yvonne Minton, Mada Mesplé, Mirella Freni and William Matteuzzi.

From 2003 to 2006, Pavol Breslik worked on the stage of the State Opera in Berlin, where he gradually appeared in the characters of Ferrando (Mozart, Così fan tutte), Tamino (Mozart, The Magic Flute), Don Ottavio (Mozart, Don Giovanni), Nemorino (Donizetti, L’elisir d’amore), Kudryas (Janáček, Káťa Kabanová) and Jurodivy (Musorgsky, Boris Godunov).

He performed Mozartian roles at the Teatro Verdi in Trieste, at the Piccolo Teatro in Milan, at the Théâtre de la Monnaie in Brussels, at the Glyndebourne, Vienna and Aix-en-Provence festivals. He performed as Jaquino in Fidelio (Beethoven) at the Théâtre du Châtelet in Paris. In 2005, the prestigious German music magazine Opernwelt declared him the Opera Discovery of the Year.

Since 2006, Pavol Breslik has performed as an artist without permanent engagement at the Metropolitan Opera in New York and at the Salzburg Festival as Don Ottavio, at the Geneva Grand Théâtre as Alfred (Strauss, Netopier), at the Royal Opera House in London as Tamino, and at the State Opera in Munich as Idamante (Mozart, Idomeneo) and Lensky (Tchaikovsky, Eugene Onegin). At the Théâtre du Châtelet, he sang the Evangelist in John’s Passion (Bach). He debuted in Munich as Gennaro in Donizetti’s Lucrezia Borgia. His stage partner was Slovak diva Edita Gruberová. Alongside her, he sang Alfredo in Traviata in Munich and Vienna in late 2010 and Macduff (Verdi, Macbeth) at the Berlin Deutsche Oper.

In Los Angeles, under the baton of Gustavo Dudamel, he performed as Don Ottavio in an unconventional production of Don Giovanni. He recently performed Lensky in London, Gennaro again in Munich and Tamino at the Berlin State Opera. Last year, he sang Tamino at the Easter Festival in Baden-Baden and was celebrated in Paris at the Opéra Bastille in the same production.

In the 2012/2013 season, he became a member of the ensemble of the opera in Zürich, where he has already portrayed Števa (Janáček, Jenufa), Don Ottavio, Faust (Gounod), Nadir (Bizet, Pearl Fishers) and Donizetti’s Roberto Devereux. This season he sang Alfredo and Nemorino in Zurich, Edgardo (Donizetti, Lucia di Lammermoor) in Munich and Tamino in Berlin and London.

Pavol Breslik regularly performs under the baton of personalities such as Riccardo Muti, Simon Rattle or Kurt Masur. Among the most significant concert experiences of Pavel Breslik is the collaboration with Kurt Masur on Janáček’s Glagolitic Mass as part of the BBC Proms festival, or with Emmanuelle Haïm on Handel’s Il trionfo del tempo (CD Virgin Classics). With the Berlin Philharmonic conducted by Simon Rattle, he sang Narraboth (R. Strauss, Salome) in Berlin and Salzburg. In August 2022, he performed with great success at the Schubertiade in Austria.

In addition to the concerts within the Great Slovak Voices series, Slovak opera fans could see Pavel Breslik in the Slovak National Theater in the roles of Tamino and Nemorino, Don Ottavio and finally in La Traviata and Rusalka.

This article has been brought to you by KAPOS concerts.

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Author: Ján Korecký

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